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Overview Modules Entry Requirements Fees How to Apply
Overview Students' Work Modules Entry Requirements Fees How to Apply

Full-time: 1 year
Part-time: Up to 2 years


Pivot Towards An Expanded Professionalism

Conferred by: University of the Arts Singapore

Deepen your specialisation. Connect practice, research and pedagogy. Expand your professional horizons.

The Master of Music offers a professionally relevant, practice-oriented postgraduate education that prepares musicians for the evolving demands in today’s musical landscape. Our faculty brings together diverse artistic, pedagogical and research expertise, enriching the learning experience with academic rigour and professional insights. Through a curriculum integrating advanced musical study, critical inquiry and professional learning, students develop reflective judgement, creative problem-solving capabilities and the confidence to navigate diverse professional contexts. As graduates, you will emerge as resourceful, adaptable musicians, equipped to shape meaningful and sustainable careers in music.



Advance Your Specialisation with Expert Mentorship

Develop your specialism in Composition or Performance Pedagogy through Principal Study, personalised guidance and sustained engagement with artistic or pedagogical questions relevant to your practice.

Connect Practice, Research and Pedagogy

Investigate musical practice through critical inquiry, connect practical experience with theory, and develop new perspectives on how music is created, interpreted, taught and shared.

Explore Music through Southeast Asian Perspectives

Situate your work within the region’s diverse musical cultures and histories, engaging critically with traditions, identities and contemporary musical practices.

Develop Digital Dexterity and Reflective Judgement

Explore how emerging technologies, including generative AI, can inform musical creation, learning and teaching, while developing artistic intelligence to use them purposefully.

Expand Your Professional Practice

Build agility to move between artistic practice, teaching, research and collaborative projects that re-shape your professional identity.

Connect with Professional Communities of Practice

Engage with a wider community of performing and visual art practitioners to exchange perspectives, build meaningful connections and sustain continuous learning and professional growth.




More Information
Graduation Requirements
In order to graduate, students must successfully complete 180 credits across three semesters nurturing advanced specialisation in artistic practice, pedagogy, research, and professional development within their chosen specialism. This includes the completion of all core and elective modules — including the Interdisciplinary Portfolio Project or Music Pedagogy & Practicum, and the Graduation Project — in accordance with the University's academic regulations.
Mode of Instruction
Lessons may be delivered face-to-face on campus or facilitated online. Lecturers employ a variety of teaching strategies and approaches according to the needs of each module and specialism. Students are expected to attend all scheduled learning activities, which may include one-to-one Principal Study lessons, individual supervision and tutorials, lectures and seminars, workshops and masterclasses, performance classes and ensemble rehearsals, studio practice, Performance Technology Lab sessions, class observations and fieldwork, concert attendance and critical review, student-led collaborative projects, and web-based learning such as webinars and blended learning activities.
Assessment Methods
Each module is assessed through a range of methods appropriate to its learning outcomes and specialism. These may include jury examinations, composition portfolios, recitals, lecture-recitals, thesis submissions, viva voce examinations, critical commentaries, research papers and dissertations, teaching practicum assessments, collaborative and interdisciplinary projects, workshops, presentations, reflective journals, peer review, or any combination of these methods.
Multi-role Portfolio Careers with a Postgraduate Degree
Develop multiversal perspectives and the capacity to work across musical traditions, disciplines and professional contexts. Apart from being a performer, educator, or composer, your career in music can include:

Arts Administrator or Manager
Arts Entrepreneur
Collaborative/Ensemble Musician
Composer for Concert, Screen, or Digital Media
Creative Producer or Artistic Director
Community Music Practitioner
Cultural and Community Engagement Specialist Digital Creator
Ensemble Director or Conductor
Festival Curator
Music Arranger
Music Editor, Reviewer or Writer
Music Educator in Institutes of Higher Learning
Music Programmer
Music Programme or Curriculum Leader
Music Scholar/Researcher
Music Technologist
School Music Programme Director
Sound Artist/Designer
Specialist Music Instructor
Studio Pedagogue
Teaching Artist

Modules

CodeTitleCredits
NMMU1101

Principal Study: Advanced Composition I

This core module cultivates independent, research-informed compositional practice for students specialising in Composition. Students exercise critical judgement in exploring form, texture, orchestration, and musical narrative, developing a distinctive compositional voice suited to professional and scholarly contexts across acoustic and digital media. Principal Study lessons and weekly Composer Seminars provide a forum for rigorous peer and faculty critique, requiring students to articulate artistic intent with precision. By positioning compositional craft as a mode of enquiry, the module prepares students to produce original work of publishable, professional standard.
30
NMMU1201

Principal Study: Advanced Composition II

This core module in the second semester extends independent compositional practice toward extended works of conceptual maturity, technical control, and artistic distinction. Students critically engage with form, structure, and orchestration across acoustic, electroacoustic, and multimedia formats, integrating creative research and contextual understanding to refine an assured personal voice. Principal Study lessons and weekly Composer Seminars provide a forum for professional-level critique, requiring students to defend compositional strategies and aesthetic decisions before peers, faculty and industry partners. By consolidating independent compositional practice at this advanced stage, the module prepares students to produce coherent, original musical works of professional standard for the Graduation Project and public dissemination.
30
NMRD1105

Research Methodologies in the Creative Arts

This core module equips postgraduate students to design and justify rigorous, context-sensitive research methodologies for creative and scholarly inquiry. Students critically examine the theoretical foundations of arts research — including practice-based and practice-led approaches — and engage with methods of documentation, reflection, and analysis appropriate to their own creative work. Through critical reading, seminar discussion, and hands-on application, students formulate research questions, evaluate methodological choices, and address the ethical demands of working with participants, collaborators, and communities. By positioning creative practice itself as a form of research and knowledge production, the module prepares students to structure original, scholarly-rigorous proposals that bridge artistic and academic enquiry.
20
NMMU1203

Interdisciplinary Portfolio Project

This core module extends compositional practice into interdisciplinary territory, as composition students conceive, develop, and realise an original creative project in collaboration with either dance or film. Through project development workshops, collaborative studios, and one-to-one supervision, students refine a distinctive artistic voice while navigating the technical and interpersonal demands of co-creation. Projects move through full production to public showcase, with opportunities to present work at festivals. Throughout, students receive critique from industry professionals and build networks that extend beyond the programme. By the module’s completion, students will have produced an original interdisciplinary work and professional portfolio demonstrating artistic maturity, reflective rigour, and readiness for contemporary creative industry settings.
20
NMMU2101

Graduation Project

As the capstone of the Master of Music, the Graduation Project requires students to produce a substantial, original body of work that synthesises artistic, pedagogical, and scholarly achievement within their chosen specialism. Following an approved project proposal in the first semester, students undertake sustained independent development, supported by one-to-one supervision, specialist seminars, and critique from faculty and external practitioners. The final submission will demonstrate original thinking, methodological rigour, and professional-level artistic and scholarly command. By consolidating research-informed inquiry with advanced practice, the module represents the culmination of postgraduate study and readiness for professional or scholarly dissemination.
60
Electives

Electives

You may further personalise your study through electives (10 or 20 credits each) in areas such as Conducting, Orchestration, Performance Psychology, and Performance Analysis. These modules extend your creative, pedagogical, and professional capabilities for today’s evolving arts landscape.
20

CodeTitleCredits
NMMU1102

Principal Study: Applied Performance & Pedagogy I

This core module establishes advanced, research-informed practice in applied performance and instrumental/vocal pedagogy at postgraduate level. Through one-to-one lessons and ensemble music-making, students exercise independent interpretative judgement, refining technical and stylistic command appropriate to professional artistic practice. Weekly Teaching Seminars require students to critically evaluate contemporary pedagogical models and translate their own performance insight — technique, expression, stylistic nuance — into diagnostic, learner-responsive teaching strategies. By integrating artistry with critical pedagogical enquiry, the module establishes the professional identity of the reflective performer-educator and lays the foundation for the MMus Graduation Project.
30
NMMU1202

Principal Study: Applied Performance & Pedagogy II

Building on Semester 1, this module advances performance and pedagogical practice toward the interpretative maturity and professional readiness expected of emerging leaders in instrumental/vocal pedagogy. Students exercise growing autonomy in preparing substantial, stylistically diverse repertoire, informed by critical engagement with performance scholarship and artistic tradition. Advanced Teaching Seminars require students to diagnose complex teaching scenarios and design differentiated pedagogical interventions, justifying their choices through research-informed reasoning and current debates in studio pedagogy. By consolidating artistic and pedagogical independence, the module prepares students for the demands of the MMus Graduation Project and for leadership in the performer-educator profession.
30
NMRD1105

Research Methodologies in the Creative Arts

This core module equips postgraduate students to design and justify rigorous, context-sensitive research methodologies for creative and scholarly inquiry. Students critically examine the theoretical foundations of arts research — including practice-based and practice-led approaches — and engage with methods of documentation, reflection, and analysis appropriate to their own creative work. Through critical reading, seminar discussion, and hands-on application, students formulate research questions, evaluate methodological choices, and address the ethical demands of working with participants, collaborators, and communities. By positioning creative practice itself as a form of research and knowledge production, the module prepares students to structure original, scholarly-rigorous proposals that bridge artistic and academic enquiry.
20
NMMU1204

Music Pedagogy & Practicum

The Teaching Practicum develops advanced, research-informed competence in instrumental or vocal pedagogy through supervised teaching, structured observation, and critical reflection across two semesters. Students deliver supervised lessons and undertake guided observations across varied contexts, analysing their own practice through video documentation and reflective commentary grounded in contemporary pedagogical scholarship. Individual mentoring and a required masterclass component require students to demonstrate higher-level diagnostic skill, communication, and pedagogical authority appropriate for postgraduate study. By its completion, the module consolidates independent, evidence-based teaching practice and a professional portfolio demonstrating mastery of postgraduate pedagogical standards.
20
NMMU2101

Graduation Project

The Graduation Project is the capstone of the Master of Music, requiring students to produce a substantial, original body of work that synthesises artistic, pedagogical, and scholarly achievement within their chosen specialism. Following an approved project proposal, students undertake sustained independent development over two semesters, supported by one-to-one supervision, specialist seminars, and critique from faculty and external practitioners. The final submission will demonstrate original thinking, methodological rigour, and professional-level artistic and scholarly command. By consolidating research-informed inquiry with advanced practice, the module represents the culmination of postgraduate study and readiness for professional or scholarly dissemination.
60
Electives

Electives

You may further personalise your study through electives (10 or 20 credits each) in areas such as Conducting, Orchestration, Performance Psychology, and Performance Analysis. These modules extend your creative, pedagogical, and professional capabilities for today’s evolving arts landscape.
20
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entry requirements

There are two pathways – Composition and Performance Pedagogy.

Master of Music (MMus)


MMus (Composition)

There are two parts:

  1. Pre-Screening Portfolio Submission
  2. Audition

  1. Pre-Screening Portfolio Submission

    Your portfolio is your opportunity to show us who you are as a composer. We review every portfolio carefully, and applicants whose work is shortlisted will be invited to the final audition.

    Portfolio contents:

    1. Three works
    2. Personal statement of Intent
    3. List of works
    4. Curriculum vitae

    1. Three works

      Please submit a portfolio of three works composed within the four years preceding your application. These may include notated concert music and electroacoustic works.

      For notated works, please provide the score, accompanied where possible by a recording. If a work has not yet been performed, you may include a computer rendering instead, such as a MIDI realisation.

      For electroacoustic works, a recording is required, together with any score, diagram or technical documentation that represents the work. If you are sending an audiovisual submission, please ensure that the audio is of high quality.

      All portfolio materials should be uploaded to the application portal, with scores provided in PDF format.

      Declaration on the use of artificial intelligence

      If you have used artificial intelligence tools in creating any work in your portfolio, please declare this in your commentary. Your declaration should identify the tools involved, the stages of the compositional process in which they were applied, and the parts of the final work they shaped.

    2. Personal Statement of Intent (approximately 1,500 words)

      Please write a Personal Statement of Intent that introduces who you are as a composer today and identifies a question, challenge, or observation from your musical practice that you would like to explore during your studies. This may arise from your work as a composer, performer, or teacher, or from the educational, professional, or cultural contexts in which you work.

      We do not expect a fully formed artistic voice or a finished research question at this stage. We are interested in your curiosity, your capacity to reflect on your own work and your readiness to grow.

      Your statement should address the following areas:

      • Artistic identity: your compositional voice as it is currently emerging, including the musical experiences, traditions and cultural contexts that have shaped your practice, and the contexts in which you hope to create and share your music.

      • Technical and creative skills: the techniques, tools and creative strategies you currently draw upon, and those you most want to strengthen.

      • Area of exploration: the question, challenge or observation you wish to pursue, and how you might explore this area through composition, experimentation, collaboration or teaching where relevant.

      • Aspirations: what you hope to develop through the Master of Music programme, and the kind of composer you hope to become.

    3. Where helpful, please refer to specific works in your portfolio. You are welcome to cite composers, writings or recordings, and any references are included in the word count.

      Declaration on the use of artificial intelligence

      If you have used artificial intelligence tools in writing, please declare the tools you used, and how it shaped your personal statement.

    4. List of works

      Please submit a list of your compositions. This should include the works in your portfolio, together with up to five additional works that are not included in your portfolio. Please indicate clearly which works are part of your portfolio. For each work, provide:

      • Title and year of completion
      • Instrumentation or medium
      • Duration
      • Performance details, if any (performers, venue and date)
      • Commissions, awards or recordings, if any

    5. Curriculum vitae

      Please submit a curriculum vitae of no more than two pages, outlining your education, musical training, professional experience and any relevant achievements, such as performances, commissions, awards or publications.

  2. Final Audition

    The audition takes the form of an interview and is an opportunity for the panel to meet you and discuss your work in greater depth. Applicants residing in Singapore are expected to attend in person, while applicants residing overseas can request to attend online via Zoom. You will be notified of the date and time by email one week before your audition.

    Please be prepared to discuss the works in your portfolio and bring the scores and recordings with you. The panel will discuss these works with you, together with your personal statement. The audition may also include a short aural component. All auditions are conducted in English.

    The panel may ask questions such as:

    • Why do you wish to pursue the Master of Music?
    • How would you describe your compositional voice and your strengths as a composer?
    • Talk us through one of your works. What were your musical intentions, approaches and processes while constructing the work, and to what extent do you feel you achieved it?
    • Which areas would you like to develop in this programme, and what project do you hope to pursue?



MMus (Performance Pedagogy)

There are two parts:

  1. Pre-Screening Portfolio Submission
  2. Final Audition

  1. Pre-Screening Portfolio Submission

    Your portfolio is your opportunity to show us who you are as a musician-performer. We review every portfolio carefully, and applicants whose submissions are shortlisted will be invited to the final audition.

    Portfolio contents:

    1. Performance
    2. Personal statement
    3. Curriculum vitae

    1. Performance

      Please submit a video recording that meets the following requirements:

      • Duration: A total performance duration of at least 5 minutes
      • Pieces: Two contrasting works by different composers
      • Musical Style: Your chosen works should demonstrate a broad range of styles, historical periods and character, reflecting both maturity and technical command

      Important notes

      • Works from popular music genres, such as pop songs, musical theatre and contemporary commercial music, will not be accepted.
      • You must perform with an accompanist if your chosen repertoire requires one.
      • Only acoustic instruments are permitted. Electric instruments are not allowed.

      Please ensure that your recording meets all the following requirements:

      • Record both contrasting works in a single take, without edits.
      • Keep the camera stationary throughout the performance.
      • Where possible, ensure that your full body is visible in the video.
      • Record your performance, with date indicated, no more than three months before the submission date.
      • Concert and competition recordings are not permitted.

    2. Personal Statement of Intent (approximately 1,500 words)

      Please write a Personal Statement of Intent that introduces who you are as a musician today and identifies a question, challenge, or observation from your musical practice that you would like to explore during your studies. This may arise from your work as a performer, or teacher, or from the educational, professional, or cultural contexts in which you work.

      We do not expect a fully formed artistic voice or a finished research question at this stage. We are interested in your curiosity, your capacity to reflect on your own work and your readiness to grow.

      Your statement should address the following areas:

      • Professional identity: your beliefs, values and aspirations as a musician and how these shape your professional growth and development
      • Influences: how your musical experiences, traditions and cultural contexts have shaped your understanding of significant issues or challenges in your musical journey
      • Development: how this issue is an opportunity for new learning, artistic exploration or pedagogical development
      • Aspirations: what you hope to develop through the Master of Music programme, and the kind of teaching artist you hope to become.

      Declaration on the use of artificial intelligence

      If you have used artificial intelligence tools in writing, please declare the tools you used, and how it shaped your personal statement.

    3. Curriculum vitae

      Please submit a curriculum vitae of no more than two pages, outlining your education, musical training, professional experience and any relevant achievements, such as performances, commissions, awards or publications.

  2. Final In-person Audition

    Following the video pre-screening, shortlisted applicants will be invited to a final in-person audition. You will receive an email confirming the exact date and time of your audition one week in advance.

    The in-person audition consists of three components:

    • Performance: Present 15-20 minutes of repertoire, performing at least one work from memory. Please refer to the repertoire requirements below.
    • Sight-reading
    • Interview

  3. Performance

    Repertoire Requirements

    Please prepare repertoire according to the requirements for your principal study:

    • Piano: at least two contrasting works.
    • Voice: at least one work in English and one in Italian, French or German. Include at least one operatic or oratorio aria, with recitative where possible. You may include one musical theatre work if it shows something distinctive about your potential as a performer.
    • Percussion: at least one mallet work and one snare drum work.
    • Other instruments: at least two contrasting works, with at least one accompanied work. Suitable repertoire includes sonatas, concertos, études and solo works.

    Accompaniment Requirements

    • You are required to perform with your own accompanist if your chosen repertoire requires one.

    Preparing for Your In-Person Audition

    Please take note of the following requirements when preparing for your audition:

    • Instruments and scores: All instrumentalists, except percussionists and pianists, must bring their principal study instrument to the audition. You are required to provide a set of music scores for the audition panel.
    • Attendance: You may not bring a page-turner, teacher or translator to the audition. Only you, your accompanist and the audition panel may be present in the audition room.
    • Language: As the programme is taught in English, you will be expected to communicate in English at the audition.
    • Performance selection: The audition panel reserves the right to hear only part of your prepared programme.
    • Recording: The audition will be recorded for evaluation purposes and used solely for the selection process.

    Interview

    Please be prepared to talk about your musical interests, current abilities, artistic and professional aspirations. The panel will discuss the pedagogical ideas and challenges presented by the repertoire you have performed, together with your personal statement of intent. The audition may also include a short sightreading component. All auditions are conducted in English.

    The panel may ask questions such as:

    • Why do you wish to pursue the Master of Music?
    • How would you describe yourself and your strengths as a musician-educator?
    • Talk us through your preparation for one of the pieces. What technical, musical and practice goals did this repertoire help you achieve?
    • Which areas would you like to develop in this programme, and what project do you hope to pursue?

Applicants should normally hold an undergraduate degree in music or a closely related discipline from a recognised institution.

Degree transcripts should demonstrate competence in core areas such as performance, musicianship, and music studies.
Applicants who do not meet the formal academic entry requirements may still be considered for admission through the Accreditation of Prior (Experiential) Learning (APEL) pathway.

Candidates must demonstrate substantial professional experience, artistic achievement, or prior learning that is equivalent to the programme’s admission standard. Each application will be assessed individually based on evidence of accomplishment and professional practice.
Applicants must demonstrate English language proficiency through one of the following minimum test scores:

IELTS AcademicTOEFL - iBTPTE AcademicDuolingo English Test
6.080 or 4.050105

*Applicants who have completed a diploma or degree at NAFA, or from other institutions where English is the medium of instruction, are exempted from this requirement. Equivalent qualifications may also be considered.




Fees

Click here for more information.

Enjoy a S$10,000 Study Award, applicable across 3 payment instalments. This award rebate is based on applicant’s portfolio and interview performance for the AY 2027/28 intake.


How to Apply

Take the leap to create future realities.

We have simplified our application process so you can focus on showcasing your strengths.

Here’s a quick overview of what you need to do.

  • Review programme details and submission requirements – Craft your personal statement of intent in a specific area of interest 
  • Check if you have the required application documents - Here is the checklist for your quick reference

 

Apply online
Apply online along with your application fees. Applications are open from October each year for the following year’s August intake.
Make payment of the Application Fee (non-refundable) online
Make payment of the Application Fee (non-refundable) online at https://payment.nafa.edu.sg/Students.

Singapore Citizens & Singapore Permanent ResidentsInternational Students
Application feeS$75.00S$120.00

Application fee is inclusive of prevailing GST.

Keep the Application Acknowledgement for your reference and submit the required documents
Upload documents listed in the checklist for verification within five working days from the application date.
Upload assessment materials
Upload compositions or pre-screening video on the application portal.
Receive an email
You will receive an email from the Student Admissions Office on the details of your audition upon receipt of all required documents.
Application outcome
Receive the outcome of your application via email within 4 – 6 weeks after your Portfolio Submission/Interview/Audition or Admission Test.