Diploma in Music
Diploma in Music Teaching
The list of principal study instruments offered by School of Music is as follows:
Keyboard Studies |
Piano |
Strings Studies |
Violin, Viola, Cello, Double Bass Harp
|
Winds Studies |
Flute, Oboe, Clarinet, Bassoon Horn, Trumpet, Euphonium, Tuba
*Saxophone (applicants can play either two contrasting works on Alto saxophone or one on Alto and one on Tenor/Baritone)
*Trombone (applicants must perform with Tenor Trombone)
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Percussion Studies |
Percussion
(applicants must prepare Snare Drum, Mallets, and Timpani for audition)
|
Chinese Instrumental Studies |
Gaohu, Erhu,
Liuqin, Pipa, Ruan
Guqin, Sanxian
Yangqin
Guzheng
Dizi, Sheng, Suona, Guanzi
|
Vocal Studies |
Voice (Classical) |
Composition Studies |
Composition (Diploma in Music ONLY) |
The audition process consists of TWO (2) parts:
- Pre-Screening
- Final Audition
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Pre-Screening
Applicants will be pre-screened through (A) video submission (for instrumentalists and vocalists) or (B) composition portfolio submission for composers, to be shortlisted for a final audition. Only shortlisted applicants will be invited to a final audition.
You are also required to submit the following documents to the Student Admissions Office at least ONE (1) day before the scheduled audition:
- ABRSM/Trinity Practical and Theory Certificates and Transcripts
- Form 5B: Background and References
(A) Video (for instrumentalists and vocalists)
You are to submit a video fulfilling the following requirements for Pre-Screening:
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Duration: total performance duration of at least 12 minutes
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Pieces: 2 contrasting works
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Pieces must be written by different composers
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Pieces must demonstrate contrast in style, character, and technical command
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Suggested repertoire include:
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Instrumentalists: sonata, concerto, étude, or solo works
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Vocalists: operatic repertoire, art songs, or works from other established classical genres
Note:
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Works from popular music genres (e.g. pop songs or contemporary commercial music) will not be accepted.
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Only acoustic instruments are permitted. Electric instruments are not allowed.
Accompaniment Requirements
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You are encouraged to perform with an accompanist if the chosen works require accompaniment.
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If a live accompanist is not available, you may use a backing track with your own device and speaker.
Guidelines for video recording:
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Performance of the two contrasting pieces must be recorded in a single take without edits.
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The camera must be stationary for the entire performance.
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The video should show the performer in full body if possible.
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The video is to be recorded no more than three months prior to the submission date.
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Concert and competition recordings are not allowed.
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You are required to come to the front of the camera (where your face can be seen clearly) and state your name and the titles of the pieces before the performance.
(B) Composition Portfolio (for composition applicants only)
You are to submit a composition portfolio fulfilling the following requirements for Pre-Screening:
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Portfolio to include 2 – 5 contrasting compositions
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Compositions must be written scores using composition software such as Sibelius, Finale, MuseScore, etc.
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Compositions must be submitted in PDF format. Recording of compositions (live or midi) is optional.
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The written music must be clear and legible with full information of instrumentation, scoring and performance details.
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Final Audition
Following the pre-screening, shortlisted applicants will be invited to:
(A) an in-person audition
OR
(B) an online audition (for applicants unable to attend the in-person audition in Singapore and other locations)
(A) In-person audition in Singapore
If you are residing in Singapore, you are required to attend an in-person audition if you pass the pre-screening. You will be notified of the exact date and time via email one week before the audition.
The in-person audition will consist of the following:
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Live performance of all pieces in the video recording (for instrumentalists and vocalists)
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Reviewing of composition portfolio (for composition applicants)
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Sight-reading
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Aural awareness
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Music theory*
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Short interview with the audition panel about your musical experiences, interests and ambitions for future studies and career
Important notes on preparing for your in-person audition
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All instrumentalists except percussionists and pianists are required to bring their principal study instrument for the audition. You are required to provide a set of music scores of the pieces for the audition panel.
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You are encouraged to perform with an accompanist if the chosen works require accompaniment. If a live accompanist is not available, you may use a backing track with your own device and speaker.
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You are not allowed to bring a page-turner, a teacher or a translator to the audition. The only people in the audition room will be you, the accompanist and the audition panel.
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As our programmes are taught in English, you will be expected to communicate in English at the audition.
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The audition panel reserves the right to hear only part of the programme overall.
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The audition will be recorded for evaluation purposes and used solely for the selection process.
In-person audition dates
Singapore
Audition Date |
9 January 2026 |
2 – 6 March 2026 |
27 – 30 Apr 2026 |
China
Audition Date |
15 – 16 November 2025 (Beijing)
|
7 – 14 March 2026 (Beijing, Guangzhou, Shanghai)
|
16 – 17 May 2026 (Beijing)
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Note:
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You will be notified of the exact date and time via email one week before the audition, if you pass the pre-screening.
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Audition dates are accurate at the time of publishing and will be subject to changes.
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Applicants who wish to attend the audition in China will be notified of more information by Student Admissions Office closer to date.
(B) Online audition
Though in-person auditions are preferred, you may request to attend an online audition via Zoom if you reside overseas.
You will be required to record a new video of the same repertoire and submit it within TWO (2) weeks of our notification of your shortlisting.
The online audition will consist of the following:
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Sight-reading
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Aural awareness
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Music theory*
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Reviewing of composition portfolio (for composition applicants)
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Short interview with the audition panel about your musical experiences, interests and ambitions for future studies and career
Important notes on preparing for your online audition
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You must be alone in a quiet room.
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Instrumentalists are required to have their principal study instrument ready during the audition.
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You are to join the Zoom meeting with a large screen device (e.g. Tablet/Laptop) to read the music score for the segment on sight-reading. You are to prepare an earpiece to facilitate the segment on aural awareness.
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As our programmes are taught in English, you will be expected to communicate in English at the audition.
*Music Theory Test
During the music theory test (approximately 60 minutes), you will be tested on various areas at a level comparable to ABRSM Grade V.
You will be exempted from the music theory test if you submit any of the following documentary evidence before the audition:
- ABRSM Grade V Music Theory or its equivalent
- Pass in GCE ‘O’ Level or GCE ‘A’ Level Music
- Pass in SOTA Music Year 4 and above
- Pass in Music Theory subject in a specialist music school
DIPLOMA IN DANCE
Audition Instructions – Diploma in Dance
You will receive a confirmation email containing the audition details nearer to your assigned audition date.
You will be required to attend an audition.
- The audition consists of two sections - Practical Assessment and Interview.
- You are required to report to the audition venue 30 minutes earlier to register, warm up and change into appropriate attire for dancing. You must bring your own attire.
- The audition may take up to 2 hours.
Audition Date |
22 October 2025 |
5 November 2025 |
21 January 2026 |
25 February 2026 |
18 March 2026 |
22 April 2026 |
Applicants will be notified of the exact date and time via email one week before the audition.
Note: You will be notified of the outcome of your application 4 to 6 weeks after your portfolio interview or audition. Some application outcomes may take longer than expected.
Practical Assessment
You are expected to prepare and perform two contrasting solos of any dance genre/style (e.g. Ballet and Cultural Dance; Chinese classical dance and Chinese folk dance).
- Each dance should not exceed 90 seconds. The solo dance can be choreographed by yourself or by someone else (e.g. your dance teacher).
- You are required to bring your own music which can played from your own media device (e.g. phone, tablet, or other audio device).
- A costume (e.g. tutu for female ballet classical solo) may be worn.
- Through your performance, assessors will evaluate your:
- Technique - coordination, control and alignment
- Artistry - spatial awareness, musicality, dynamic range and performance quality
- Fitness - strength, control, flexibility, coordination, speed, stamina and stretch
Interview
You are expected to discuss why you want to study dance during the interview. You will be evaluated based on your:
- Existing knowledge of and experience in dance performance
- Dance-related interests and career aspirations
- Dance proclivity and learning attitude
- Any medical or health concerns
Applicants who are unable to attend a live audition may request for an online audition. Both options will be followed by an online interview with the applicant alone and without the assistance of any other person.
Guidelines for the pre-recorded solos are as follows:
- You cannot perform/ dance with any make up in the audition videos, although you can tie your hair according to what's necessary.
- You have to come to the front of the camera (where your face can be seen clearly) and do a brief introduction of yourself. You will then proceed to move into the space and start dancing your solos after the introduction. * Please note
that the video has to be shot in one take and not being edited in any way. Otherwise, the audition videos will not be considered.
- This applies to both male and female applicants.
- The photo that you send in should be the one that resembles how you look like now.
- For the online interview, no interpreter should be around, or the interview could be disqualified.
DIPLOMA IN THEATRE (ENGLISH DRAMA)
DIPLOMA IN THEATRE (MANDARIN DRAMA)
You are required to attend an audition. The audition consists of three sections — Workshop, Audition Monologue and Interview.
- You will be given three audition monologues at least one week prior to the audition and you will need to choose one. You are expected to memorise or be very prepared with your chosen piece
- You are required to report to the audition venue 30 minutes earlier to register
- The audition may take up to three hours
- Wear comfortable clothing that allows for ease of movement
Audition Date |
17 October 2025 |
30 January 2026 |
20 February 2026 |
27 March 2026 |
24 April 2026 |
Applicants will be notified of the exact date and time via email one week before the audition.
Note: You will be notified of the outcome of your application 4 to 6 weeks after your portfolio interview or audition. Some application outcomes may take longer than expected.
Workshop
You are expected to participate enthusiastically in the improvisation exercises and theatre games during the workshop. Through your participation in the workshop, you will be evaluated based on your:
- Openness to improvisation and willingness to work with others
- Vocal response in an improvisation – projection, range, tone and clarity
- Physical response in an improvisation – expressiveness, spontaneity and range
Audition Monologue
During the audition, you will be asked to perform one of the three pieces of dramatic texts. You are expected to arrive with your chosen monologue memorised. Through your performance of the monologue, assessors will evaluate your:
- Ability to perform a dramatic text – comprehension, characterisation and creativity
- Physical skills – presence on stage, spatial awareness, physical range, movement vocabulary and physical portrayal of character
- Vocal skills – projection, clarity, range and tone
Interview
You are expected to discuss why you want to study theatre during the interview. You will be reviewed based on your:
- Existing knowledge of and experience in theatre and/or performance
- Personality traits
- Innovation and creativity