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Overview Students' Work Modules Entry Requirements Fees How to Apply
Overview Students' Work Modules Entry Requirements Fees How to Apply

Redefining Musical Excellence And Leadership In A Future-ready Conservatoire

At the forefront of global music education, this programme reimagines the conservatoire for the 21st century. The new 4-year Bachelor of Music (Honours), jointly conferred by the Royal College of Music, London, and the University of the Arts Singapore, is a distinguished pathway in Asia, uniting European tradition with Singapore’s dynamic, multicultural vantage point.

This degree redefines what it means to train as a musician in today’s world — rigorous, bespoke, and internationally benchmarked. Designed for a select cohort of exceptional musicians, it brings together the precision of RCM training with the creative vitality of NAFA and UAS, preparing graduates to excel as performers, leaders, and innovators in a rapidly evolving global music landscape.


Artistic Excellence & Specialist Pathways

  • Specialist, performance-centred structure: designed for a selective cohort, with intensive one-to-one principal study lessons at the artistic core.
  • Customisable artistic pathways in:
    • Performance and Professional Practice.
    • Technology and Performance Science.
    • Research.
    • Applied Theory and Composition.
    • Builds on over 15 years of RCM–UAS | NAFA collaboration, with alumni progressing to Juilliard, Royal College of Music London, Royal Conservatoire of Scotland, Northwestern, Indiana University, and into leading academic, orchestral, and crossover careers — including Isyana Sarasvati, one of Indonesia’s most prominent singer-songwriters.

 

Global Immersion & Interdisciplinary Engagement

  • International placements at the Royal College of Music (London) and the Central Conservatory of Music (Beijing), with additional exchanges in Hong Kong, Shanghai, and Taipei.
  • Interdisciplinary engagement through the UAS common curriculum (IN-Depth) and collaborations with peers in theatre, dance, design, and media arts.
  • Students perform and collaborate internationally with faculty and peers from RCM, CCOM, HKAPA, and Shanghai Conservatory of Music.

 

Stages, Partnerships & Industry Connections

  • Prestigious performance opportunities at Lee Foundation Theatre, Victoria Concert Hall, Esplanade Recital Studio, and Singapore Conference Hall.
  • Industry collaborations with leading ensembles such as the Singapore Chinese Orchestra, Ding Yi Music Company, Singapore Armed Forces Band, and Voices of Singapore.
  • International artistic exchange with top conservatoires and artistic communities across London, Hong Kong, Beijing, Shanghai, and Taipei.

 







More Information
Graduation Requirements

In order to graduate from the Bachelor of Music (Honours) Programme, students are required to attain a total of 480 credits.

Mode of Instruction

The Bachelor of Music (Honours) programme provides advanced and holistic training for the 21st-century musician. While performance remains a cornerstone — encompassing solo, chamber, and ensemble work — the programme extends well beyond the stage. At its heart are one-to-one lessons with distinguished international faculty, complemented by opportunities in pedagogy, technology and performance science, applied theory, research, and cross-disciplinary collaboration.

Students shape their artistic journey through tailored elective modules, aligning studies with their individual interests and career aspirations. Learning takes place through a rich spectrum of experiences — one-to-one lessons, masterclasses and workshops, orchestral and choral projects, and seminars — reinforced by opportunities for artistic exchange across recitals and collaborative platforms.

Assessment Methods

Modules are assessed through a variety of methods, including practical exams, written exams, projects, mock recitals, mock orchestra auditions, lecture-recitals, viva voce, concert performances, reviews, self-assessment, diaries, case studies, discussions, presentations, peer assessment, fieldwork, research projects, and portfolio submissions, or a combination thereof.

Career Pathways
  • Band Director
  • Choral Director
  • Collaborative Musician
  • Composer/Arranger
  • Conductor
  • Music Administrator
  • Music Entrepreneur
  • Music Event Organiser
  • Music Producer/Presenter
  • Music Teacher
  • Music Technology Specialist
  • Music Workshop Facilitator
  • Orchestra Player
  • Session Musician
  • Sound Designer

 

Students' Work

Modules

Check out the range of modules to build your technical skills, enhance your exposure and boost your employability.

CodeTitleCredits
NBMU1101

Principal Study I

This module establishes the artistic and technical foundations of conservatoire training through individual tuition, performance opportunities, ensemble participation, and collaborative music-making. Working closely with specialist faculty, students develop core musicianship, technical fluency, and artistic confidence while exploring repertoire, creative practice, and performance in a supportive yet challenging environment. Through regular performance experiences and guided artistic development, the module lays the foundation for future growth as a performer, composer, and professional musician.
60
NBMU1110

Learning to Create 1A: Theory and Aural

This module develops the theoretical understanding and aural awareness that underpin confident music-making, performance, and creative practice. Through the study of harmony, musical structure, critical listening, and score-based exploration, students strengthen their ability to recognise, understand, and interpret musical ideas across a range of styles. By connecting what they hear with what they see and perform, students develop the musicianship, analytical skills, and musical fluency that form the foundation for further study, performance, composition, and creative exploration.
15
NBMU1111

Contextualising Music in the Performing Arts 1A: Current Trends

This module explores how music, performance, and artistic practice are shaped by wider cultural, social, and historical forces. Through the study of influential works, artistic movements, and creative ideas from the early twentieth century, students examine how composers and artists responded to changing societies, technologies, and global perspectives. By engaging critically with music within its broader context, students develop a deeper understanding of artistic practice and the evolving role of the artist in contemporary society.
10
NBMU1210

Learning to Create 1B: Stylistic Composition and Improvisation

Building upon the foundations established in Learning to Create 1A, this module explores the creative application of musical ideas through composition, improvisation, and collaborative music-making. Students engage with a range of stylistic traditions and creative approaches, developing the ability to shape, adapt, and communicate musical materials in both individual and ensemble contexts. Through the integration of listening, analysis, performance, and experimentation, the module fosters creative confidence, musical responsiveness, and a deeper understanding of how musical ideas are generated and transformed.
15
NBMU1213

Healthy Musician

This module explores the physical, psychological, and professional wellbeing required to sustain a successful and fulfilling career in music. Through the study of performance health, injury prevention, wellbeing, performance psychology, and effective practice habits, students develop a deeper understanding of the demands of artistic life and the strategies needed to thrive within it. By encouraging reflective and proactive approaches to personal wellbeing, the module equips students with the knowledge and skills to support long-term artistic growth, resilience, and professional sustainability.
10
NBMU1211

Contextualising Music in the Performing Arts 1B: Current Trends

Building upon the historical and cultural perspectives explored in Contextualising Music in the Performing Arts 1A, this module examines how music and artistic practice continue to evolve in response to technological innovation, intercultural exchange, and changing societal values. Through the study of contemporary repertoire, creative practices, and artistic movements, students explore how composers and performers challenge conventions, engage with diverse cultural influences, and redefine the boundaries of musical expression. Particular attention is given to Singapore and Asia as dynamic sites of artistic exchange, encouraging students to reflect on their own creative practice within a global and interconnected cultural landscape.
10

CodeTitleCredits
NBMU2101

Principal Study II

Building upon the foundations established in Principal Study 1, this module supports students in developing greater artistic independence, technical assurance, and interpretative maturity. Through individual tuition, performance opportunities, ensemble participation, and collaborative music-making, students engage with increasingly demanding repertoire and creative projects while refining their personal approach to artistic preparation and performance. Emphasis is placed on developing confidence, consistency, and professional discipline, enabling students to communicate musical ideas with greater depth and prepare for the artistic challenges of advanced undergraduate study.
60
NBMU2110

Learning to Create 2A: Analytical Techniques

Building upon the creative and musical foundations established in Year 1, this module develops students’ ability to investigate, interpret, and articulate how music is constructed. Through the close study of scores, recordings, and repertoire from a range of stylistic traditions, students explore the relationships between musical structure, expression, and artistic intent. By applying a variety of analytical approaches, students deepen their understanding of compositional processes and develop critical perspectives that inform performance, composition, and creative decision-making.
10
NBMU2111

Contextualising Music in the Performing Arts 2A: Past Sensibilities

This module explores how music has been created, performed, and understood across different historical periods, providing students with a deeper appreciation of the artistic, cultural, and intellectual traditions that continue to shape musical practice today. Through the study of repertoire, historical sources, and evolving performance traditions, students examine how musicians and audiences experienced music in the past and how these perspectives inform contemporary artistic practice. By connecting historical understanding with performance, composition, and creative enquiry, the module fosters informed, reflective, and historically aware musicians.
10
NBMU2113

Teaching Musician

This module introduces students to the principles and practices of effective music teaching, developing the skills required to communicate, inspire, and support the musical growth of others. Through the integration of pedagogical theory, observation, teaching practice, and critical reflection, students explore how learning takes place within instrumental, vocal, and creative music settings. By engaging with authentic teaching experiences and learner-centred approaches, students develop greater confidence as educators, mentors, and advocates for music learning, while gaining valuable skills that support a wide range of professional pathways within the music profession.
10
NBMU2210

Learning to Create 2B: Interdisciplinary Practices

Building upon the analytical foundations established in Learning to Create 2A, this module explores how analytical thinking can inform artistic interpretation, performance, and creative practice. Through listening, score study, discussion, and critical reflection, students develop the ability to evaluate music from multiple perspectives and articulate informed musical insights with confidence. By engaging with repertoire across different styles and traditions, students strengthen their capacity to connect analytical understanding with artistic decision-making, preparing them for advanced study and professional practice.
10
NBMU2211

Contextualising Music in the Performing Arts 2B: Past Sensibilities

Building upon the historical perspectives explored in Contextualising Music in the Performing Arts 2A, this module encourages students to engage more deeply with the repertoire, traditions, and artistic ideas that shape their individual areas of practice. Through the study of both established and lesser-known works, students examine how performance traditions, aesthetic values, and cultural contexts continue to influence contemporary musical interpretation and creation. By connecting historical enquiry with their own artistic interests, students develop a more informed understanding of repertoire, strengthen their critical perspectives, and cultivate a deeper awareness of their place within evolving musical traditions.
10

CodeTitleCredits
NBMU3101

Principal Study III

Building upon the artistic and technical development established in the preceding years, this module supports students in refining their individual artistic identity and preparing for the demands of professional practice. Through individual tuition, performance opportunities, and collaborative projects, students engage with increasingly sophisticated repertoire or creative work while developing greater interpretative depth, stylistic awareness, and artistic independence. Emphasis is placed on the preparation and presentation of a substantial recital programme or compositional portfolio, enabling students to demonstrate artistic maturity, professional discipline, and a distinctive creative voice.
60
NBMU3113

Professional Musician

Building upon the personal and professional foundations developed throughout the programme, this module prepares students for the transition from conservatoire training to professional practice. Through engagement with contemporary industry contexts, portfolio careers, artistic entrepreneurship, and professional development strategies, students explore the diverse opportunities available within today’s musical landscape. By reflecting on their artistic strengths, professional aspirations, and emerging identity as musicians, students develop the knowledge, confidence, and practical skills required to build sustainable and meaningful careers in music.
10
NBMU3201

International Placement

As a culminating international experience, this module provides students with the opportunity to engage with music-making, learning, and artistic practice within a different cultural and educational environment. Through immersion in a new artistic community, students broaden their perspectives on performance, creativity, and professional practice while developing greater independence, adaptability, and intercultural awareness. By reflecting on diverse approaches to music and learning, students gain valuable insights into their own artistic development and deepen their understanding of music as a global and interconnected profession.
10

CodeTitleCredits
NBMU4101

Principal Study IV

As the culmination of undergraduate study, this module supports students in realising their artistic potential and preparing for the transition into professional practice or postgraduate study. Through individual tuition, performance opportunities, and creative projects, students refine their artistic voice, deepen their interpretative or compositional expertise, and demonstrate increasing ownership of their creative work. Emphasis is placed on the conception, preparation, and presentation of a substantial graduation recital or portfolio, enabling students to demonstrate artistic maturity, professional confidence, and readiness to contribute meaningfully to the musical profession.
60
NBMU4105

Independent Project

As the culminating project of the programme, this module provides students with the opportunity to pursue an area of personal interest and develop a substantial piece of independent work that reflects their artistic, academic, or professional aspirations. Drawing upon the knowledge, skills, and experiences gained throughout their studies, students design and realise a self-directed project under specialist supervision, exploring topics aligned with their individual interests and chosen pathway. Whether through research, creative practice, performance, industry engagement, or interdisciplinary collaboration, the module encourages originality, critical enquiry, and professional independence, resulting in a significant body of work that can support future artistic, professional, or postgraduate ambitions.
20

CodeTitleCredits
NBMU3001

Chamber Music L5

Chamber Music develops your collaborative, technical, and musical skills through the study and performance of ensemble repertoire. Through rehearsals, coaching, and performance opportunities, you will strengthen ensemble communication, musical balance, intonation, rhythmic cohesion, and interpretative awareness. The module encourages effective rehearsal strategies, collaborative decision-making, and an understanding of timbre, texture, and ensemble roles. As a pathway towards creative performance, it also introduces the professional practices required for successful chamber music making, helping you develop the practical and interpersonal skills needed to contribute effectively within an ensemble.
20
NBMU4001

Chamber Music L6

Chamber Music L6 builds on prior ensemble experience by developing greater artistic independence, interpretative depth, and professional awareness. Through rehearsals, coaching, and performance opportunities, you will refine ensemble communication, balance, intonation, rhythmic precision, and sensitivity to timbre and texture. The module encourages increasing responsibility for rehearsal planning, repertoire preparation, and collaborative decision-making, while supporting informed experimentation in repertoire selection and programme design. Through sustained ensemble practice, you will develop the collaborative and professional skills expected of advanced undergraduate musicians and emerging chamber performers.
20
NBMU3002

Creative Improvisation

This module explores improvisation as a creative and collaborative practice, encouraging students to develop confidence, curiosity, and spontaneity in music-making. Through practical workshops and ensemble-based activities, students experiment with a range of improvisational approaches inspired by sound, movement, text, visual stimuli, and musical ideas. By fostering responsive listening, creative risk-taking, and artistic interaction, the module develops adaptable musicians who are able to engage with music-making in imaginative, flexible, and personally meaningful ways.
10
NBMU3003

Conducting

This module introduces the art and practice of conducting, developing the musical, technical, and leadership skills required to guide and inspire an ensemble. Through the study of score preparation, rehearsal techniques, conducting gesture, and ensemble communication, students learn how to shape musical interpretation and lead performers with clarity and confidence. Combining practical experience with critical musical understanding, the module fosters artistic leadership, collaborative awareness, and a deeper appreciation of the conductor’s role in bringing music to life.
20
NBMU3004

Instrumental Accompaniment

Instrumental Accompaniment develops the collaborative, technical, and musical skills required for pianists working with instrumental soloists across a range of performance contexts. Through rehearsals, coaching, and performance opportunities, you will explore repertoire including concerto reductions, orchestral reductions, and other instrumental works beyond the traditional sonata repertoire. The module develops stylistic awareness, rhythmic stability, balance, flexibility, and responsiveness to the needs of instrumental partners. Emphasis is placed on effective rehearsal strategies, score preparation, and professional working practices, equipping you with the practical and collaborative skills required for successful instrumental accompaniment in both educational and performance settings.
20
NBMU3005

Collaborative Piano

Collaborative Piano develops the musical, collaborative, and professional skills required for pianists working with singers in vocal performance settings. Through repertoire coaching, song classes, rehearsals, and performance opportunities, you will explore the relationship between music and text while developing sensitivity to language, phrasing, breathing, ensemble balance, and expressive communication. The module emphasises artistic partnership, stylistic awareness, and effective rehearsal practices, fostering the responsiveness and flexibility required for successful collaboration with singers across a range of vocal repertoire.
20
NBMU3006

Contemporary Piano

Contemporary Piano develops advanced performance skills and artistic independence through the study of piano repertoire written after 1980. Through performance-based classes, seminars, and independent study, you will engage with a diverse range of contemporary works, exploring approaches to interpretation, preparation, and performance. The module introduces contemporary performance practices including extended techniques, non-traditional notation, electronics, and improvisatory elements, while encouraging informed artistic decision-making through research and critical reflection. Emphasis is placed on developing confidence in navigating complex musical materials and cultivating a distinctive artistic voice, preparing you for contemporary performance contexts and the evolving landscape of piano practice.
20
NBMU3007

Harpsichord

Harpsichord introduces the performance and preparation of repertoire for one of the keyboard’s most influential historical instruments. Through practical sessions, guided repertoire study, and independent practice, you will explore the distinctive touch, articulation, ornamentation, and stylistic conventions associated with harpsichord playing. The module provides an introduction to historically informed performance practices while developing an understanding of how instrument design shapes musical interpretation. By engaging with early and related keyboard repertoire, you will broaden your musical perspectives and gain insight into performance traditions that continue to influence keyboard playing today.
10
NBMU3008

Fortepiano

Fortepiano introduces the performance and preparation of Classical and early Romantic keyboard repertoire on the predecessor of the modern piano. Through practical sessions, guided repertoire study, and independent practice, you will explore the distinctive touch, articulation, pedalling, and expressive possibilities of the instrument. The module develops an understanding of historically informed performance practices while encouraging close engagement with the sound world and performance traditions familiar to composers such as Mozart, Haydn, Schubert, and Beethoven. By experiencing repertoire through the instrument for which it was originally conceived, you will gain fresh perspectives on interpretation, style, and musical expression.
10
NBMU3009

Composition Supporting Studies I

Composition Supporting Studies I develops the technical and creative foundations that support contemporary compositional practice. Through practical exercises, score study, listening, and original composition, you will explore contrapuntal writing, structural organisation, extended instrumental techniques, and selected compositional approaches from the 20th and 21st centuries. The module encourages experimentation with sound, texture, and notation while strengthening your ability to translate musical ideas into clear and performable scores. By connecting analytical study with creative practice, you will develop a deeper understanding of compositional craft and its role in shaping individual artistic expression.
20
NBMU4009

Composition Supporting Studies II

Composition Supporting Studies II explores regional musical traditions and intercultural approaches to composition and orchestration within Southeast Asia and the Asia-Pacific region. Through the study of instruments, repertoire, performance practices, and non-Western musical aesthetics, you will examine how diverse cultural perspectives can inform contemporary creative work. The module encourages experimentation with regional sound worlds and orchestration techniques while developing an understanding of cultural context and artistic exchange. By engaging with a broad range of musical traditions, you will expand your compositional vocabulary and discover new possibilities for creative expression.
20
NBMU3010

Contemporary Music Collective

Contemporary Music Collective provides opportunities to engage with contemporary music through direct collaboration with composers in the rehearsal, development, and performance of new works. Through workshops, rehearsals, and performance projects, you will explore contemporary performance practices while contributing to the creative process through discussion, experimentation, and artistic dialogue. The module emphasises communication, responsiveness, and collaborative problem-solving, encouraging you to engage actively with questions of interpretation, notation, and performance possibility. By working closely with composers and fellow performers, you will gain first-hand experience of bringing new music from conception to performance while developing the skills required for contemporary creative practice.
20
NBMU3011

Side-by-Side

Side-by-Side provides opportunities to learn alongside experienced professionals through a supervised placement within a performing arts organisation. Working in artistic, production, administrative, or organisational settings, you will gain first-hand insight into the professional practices, expectations, and collaborative cultures that underpin the performing arts sector. The module emphasises experiential learning, enabling you to apply your knowledge and skills within authentic professional environments while developing professional confidence, adaptability, and workplace awareness. Through structured reflection on your placement experience, you will deepen your understanding of potential career pathways and the diverse roles that contribute to artistic and organisational success.
20
NBMU3012

Orchestral Training I (Stgs/Perc/Chi)

Orchestral Training I develops the ensemble, technical, and stylistic skills required for effective performance within orchestral settings. Through regular rehearsals, excerpt classes, and guided coaching, you will refine ensemble awareness, rhythmic precision, intonation, tone production, and professional rehearsal discipline. The module introduces core orchestral repertoire and audition excerpts while fostering the collaborative skills essential to successful ensemble performance. Emphasis is placed on developing consistency, responsiveness, and stylistic understanding, providing a strong foundation for advanced orchestral study and performance.
20
NBMU4012

Orchestral Training II (Stgs/Perc/Chi)

Orchestral Training II prepares you for the demands of professional orchestral performance and audition environments. Through advanced rehearsals, intensive excerpt study, and simulated auditions, you will refine ensemble precision, interpretative maturity, and independent preparation strategies. The module emphasises artistic confidence, performance resilience, and the ability to perform under pressure while meeting the professional standards expected of contemporary orchestral musicians. By engaging with audition-focused repertoire and professional rehearsal practices, you will develop greater readiness for pre-professional and professional orchestral contexts.
20
NBMU3013

Orchestral Training I (Wnds)

Orchestral Training I (Wnds) develops the ensemble, technical, and stylistic skills required for effective performance across orchestral, wind orchestra, and wind ensemble settings. Through regular rehearsals, excerpt classes, and guided coaching, you will refine ensemble awareness, blend, balance, rhythmic precision, intonation, and tone production while engaging with a broad range of repertoire and ensemble formats. The module introduces standard orchestral wind excerpts and professional rehearsal practices, fostering the versatility and collaborative musicianship required of contemporary wind players.
20
NBMU4013

Orchestral Training II (Wnds)

Orchestral Training II (Wnds) prepares you for professional orchestral performance and audition contexts while introducing the fundamentals of conducting and musical leadership. Through advanced rehearsals, intensive excerpt study, simulated auditions, and practical conducting workshops, you will refine ensemble precision, stylistic understanding, and independent preparation strategies. The module explores how musical ideas are communicated through gesture, rehearsal processes, and ensemble interaction, providing insight into both performance and leadership within orchestral settings. By combining audition preparation with conducting fundamentals, you will develop a broader understanding of professional orchestral practice and musical communication.
20
NBMU3014

Interpretation of Song I

Interpretation of Song I explores the relationship between poetry and music through the study and performance of art song repertoire. Working collaboratively with pianists, you will examine how text, musical structure, language, and stylistic context shape expressive and interpretative choices. Through repertoire coaching, discussion, and performance, the module develops artistic ownership, communicative performance skills, and an informed understanding of how composers transform poetry into music. Emphasis is placed on thoughtful interpretation, collaborative musicianship, and the ability to communicate meaning clearly and convincingly through song.
20
NBMU4014

Interpretation of Song II

Interpretation of Song II focuses on the development of an independent artistic voice through advanced study and performance of art song repertoire. Building on established interpretative and collaborative skills, you will engage critically with poetic, musical, and historical contexts to shape distinctive and coherent performance perspectives. Through advanced repertoire coaching, collaborative work with pianists, and independent preparation, the module encourages artistic autonomy, stylistic discernment, and professional-level performance practice. Emphasis is placed on curating and presenting repertoire with conviction, preparing you for recital, audition, and other pre-professional performance contexts.
20
NBMU4015

Opera Scenes

Opera Scenes explores the artistic and practical demands of staged operatic performance through the preparation and presentation of complete operatic scenes. Working collaboratively with directors, conductors, pianists, and fellow singers, you will develop characterisation, dramatic credibility, ensemble awareness, and stagecraft while maintaining vocal and musical integrity. The module emphasises the integration of singing, acting, movement, and musical interpretation, enabling you to respond confidently to the complex demands of rehearsal and performance processes. Through immersive scene work, you will gain experience of bringing operatic characters and stories to life within a collaborative theatrical environment.
20
NBMU3016

Collaborative Performance

Collaborative Performance introduces you to the dynamic possibilities of interdisciplinary music-making. Through partnerships with other art forms within the Faculty of Performing Arts, you will explore how to balance creative identities, develop mutual artistic vision, and rehearse effectively. This module cultivates your ability to communicate, organise, and present joint performances—laying the groundwork for future professional collaborations.
10

CodeTitleCredits
NBMU3021

Research Methods

This module introduces students to the principles and practices of research in the arts, equipping them with the tools to investigate questions arising from their own artistic interests and professional practice. Through the exploration of research methodologies, critical enquiry, and ethical considerations, students learn to gather, evaluate, and communicate evidence effectively. The module develops reflective and independent practitioners who are able to use research to deepen artistic understanding, inform creative decision-making, and support future scholarly or professional projects.
10
NBMU3022

Global Musicology

This module explores how music is understood, interpreted, and communicated across different historical and cultural contexts. Through the study of performance practices, historical sources, and contemporary scholarship, students develop the ability to critically engage with ideas about music and connect them to their own artistic practice. By examining how musicians, scholars, and audiences have shaped musical traditions over time, the module cultivates historically informed, intellectually curious, and articulate musicians who are able to place their performance and creative work within broader global perspectives.
10
NBMU3023

Ethnomusicology

This module explores the diverse ways in which music functions, evolves, and acquires meaning across cultures and communities around the world. Through the study of ethnomusicological theories, fieldwork methods, and contemporary cultural issues, students develop a deeper understanding of the relationships between music, identity, society, and tradition. By engaging directly with musical communities and cultural practices, students cultivate critical awareness, cross-cultural understanding, and the ability to connect global perspectives with their own musical practice.
20

CodeTitleCredits
NBMU3031

Artist in the Digital Age

This module explores how emerging technologies are transforming the ways musicians create, collaborate, perform, and engage with audiences. Through the study of digital tools, online platforms, artificial intelligence, and interactive media, students develop practical skills and critical awareness of technology’s role within contemporary artistic practice. By experimenting with new approaches to music-making and content creation, students learn to adapt to an evolving creative landscape while developing innovative strategies to support their artistic identity and professional development.
10
NBMU3032

Digital Production for Professional Arrangement

This module introduces students to the creative and technical processes involved in contemporary music production, arrangement, and digital content creation. Through hands-on work with industry-standard software and production tools, students develop skills in sequencing, recording, arranging, and producing original musical works across a range of styles and genres. By combining artistic creativity with digital production techniques, students learn to realise musical ideas, collaborate effectively, and create professional-quality content for performance, recording, and creative projects.
10
NBMU3033

Sound Design for Performing Arts

This module explores the creation of music and sound for live performance, equipping students with the creative, technical, and collaborative skills required to work across theatre, dance, and other performing arts contexts. Through composition projects, sound design, and engagement with directors, choreographers, and performers, students learn how music and sound can shape narrative, atmosphere, and audience experience. The module develops versatile composer-creators who are able to translate artistic ideas into compelling sonic experiences for the stage.
20
NBMU3034

Performance Psychology I: Peak Performance

This module introduces students to the psychological principles and mental skills that support effective practice, confident performance, and long-term artistic development. Through the exploration of topics such as focus, motivation, performance anxiety, goal-setting, and self-reflection, students develop a deeper understanding of the factors that influence musical performance. By applying evidence-informed strategies within their own practice and performance contexts, students learn to cultivate resilience, self-awareness, and the habits that contribute to sustainable artistic excellence.
10
NBMU3035

Performance Psychology II: Long Term Development

Building upon the foundations established in Performance Psychology I, this module explores the psychological factors that contribute to sustained artistic growth and long-term musical development. Through the critical examination of research in performance science, students investigate topics such as motivation, resilience, learning, wellbeing, and the development of expertise. By evaluating evidence and reflecting on their own experiences, students deepen their understanding of how psychological principles can support healthy, effective, and enduring artistic practice throughout their professional lives.
10
NBMU3036

Alexander Technique (at RCM only)

This module introduces students to the principles of the Alexander Technique and their application to musical practice, performance, and professional life. Through guided exploration, observation, and reflective learning, students develop greater awareness of posture, movement, coordination, and habitual patterns that influence performance. By cultivating more efficient and balanced approaches to music-making, students learn strategies to enhance technical freedom, support wellbeing, and build confidence in both practice and performance settings.
10

CodeTitleCredits
NBMU3041

Composition

This module introduces students to contemporary approaches to composition through the exploration of musical ideas, creative processes, and compositional techniques. Through practical experimentation, score study, and critical listening, students develop the skills to create original works while gaining insight into how composers organise, communicate, and develop musical materials. By combining creative practice with analytical enquiry, the module encourages students to expand their musical language, refine their artistic voice, and engage confidently with composition as a means of creative expression.
10
NBMU3042

Schenkerian Analysis

This module explores advanced approaches to musical analysis through the study of underlying structures that shape tonal music. Drawing on the analytical methods developed by Heinrich Schenker, students examine how melody, harmony, counterpoint, and form interact to create coherence and expressive meaning. Through score study and critical enquiry, students develop deeper insights into musical architecture, strengthening their ability to engage with repertoire as performers, composers, and informed musical thinkers.
20
NBMU3043

Applied Aural

This module develops the listening, perception, and musicianship skills that underpin confident performance, composition, and musical communication. Through a range of practical and interactive activities, students strengthen their ability to recognise, interpret, and respond to musical elements such as pitch, rhythm, harmony, texture, and style. By connecting aural awareness with musical understanding, the module cultivates more perceptive, adaptable, and musically fluent practitioners who are able to engage with repertoire and creative work with greater confidence and insight.
10
NBMU3044

Orchestration and Transcription

This module explores the art of writing and adapting music for different instruments and ensembles. Through the study of orchestral colour, texture, timbre, and instrumental techniques, students develop an understanding of how composers and arrangers bring musical ideas to life through sound. By engaging with a range of orchestral and chamber repertoire, students learn how to combine instruments effectively, create distinctive sonic landscapes, and prepare scores and parts for performance. The module develops creative, practical, and stylistic skills that support composition, arranging, and collaborative music-making.
20

CodeTitleCredits
 The UAS Common Curriculum supplements the core curriculum by equipping you with a broader set of proficiencies, empowering you to adapt to evolving professional and industry needs. These non-credit bearing graduation requirements include:

  • IN-depth Module - 36 hours
  • Career Skills Module - 10 hours
  • Industry-Based Learning Module - 10 weeks (approximately 400 hours)
 
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entry requirements

Find out about the entry requirements that apply to you.

The list of principal study instruments offered by School of Music is as follows:

Keyboard Studies Piano
Strings StudiesViolin, Viola, Cello, Double Bass
Harp
Winds StudiesFlute, Oboe, Clarinet, Bassoon
Horn, Trumpet, Euphonium, Tuba

*Saxophone (applicants can play either all works on Alto saxophone or two on Alto and one on Tenor/Baritone)s

*Trombone (applicants must perform with Tenor Trombone)
Percussion StudiesPercussion
(applicants must perform one work each on snare drum, mallets and timpani)
Chinese Instrumental StudiesGaohu, Erhu,
Liuqin, Pipa, Ruan
Guqin, Sanxian
Yangqin
Guzheng
Dizi, Sheng, Suona, Guanzi
Vocal StudiesVoice (Classical)
Composition StudiesComposition

The audition process consists of TWO (2) parts:

  1. Pre-Screening
  2. Final Audition

Please see below for instructions to both parts of the audition process.

  1. Pre-Screening
    Applicants will be pre-screened through video submission (or composition portfolio submission for composers) to be shortlisted for a final audition. Only shortlisted applicants will be invited to a final audition.

    Instrumentalists and Vocalists
    You are to submit a video fulfilling the following requirements for Pre-Screening:

    • Duration: total performance duration of at least 5 minutes
    • Pieces: 2 contrasting works
    • Pieces must be written by different composers
    • Pieces must demonstrate a broad range of styles, historical periods, and character, reflecting both maturity and technical command.

    Note:

    • Works from popular music genres (e.g. pop songs or contemporary commercial music) will not be accepted.
    • You are required to perform with an accompanist if the repertoire requires it.
    • Only acoustic instruments are permitted. Electric instruments are not allowed.

    In addition, you are required to submit the following documents to the Student Admissions Office at least ONE (1) day before the scheduled audition:
    • ABRSM/Trinity Practical and Theory Certificates and Transcripts
    • Form 5B: Background and References

    Guidelines for video recording:
    • Performance of the contrasting pieces must be recorded in a single take without edits.
    • The camera must be stationary for the entire performance.
    • The video should show the performer in full body if possible.
    • The video is to be recorded no more than three months prior to the submission date.
    • Concert and competition recordings are not allowed.
    • You are required to come to the front of the camera (where your face can be seen clearly) and state your name and the titles of the pieces before the performance.

    Composers
    You are to submit a composition portfolio fulfilling the following requirements for Pre-Screening:

    • Portfolio to include 2 – 5 contrasting compositions
    • Compositions must be written scores using composition software such as Sibelius, Finale, MuseScore, etc.
    • Compositions must be submitted in PDF format. Recording of compositions (live or midi) is optional.
    • The written music must be clear and legible with full information of instrumentation, scoring and performance details.

  2. Final Audition
    Following the pre-screening, shortlisted applicants will be invited to:
    (A) an in-person audition
    OR
    (B) an online audition (for applicants unable to attend the in-person audition in Singapore and other locations)

    (A) In-person audition in Singapore
    If you are residing in Singapore, you are required to attend an in-person audition if you pass the pre-screening. You will be notified of the exact date and time via email one week before the audition.

    The in-person audition will consist of the following:

    • Performance of 3 contrasting works (see below for Instrument-Specific Requirements)
    • Reviewing of composition portfolio (only for composition applicants)
    • Sight-reading
    • Music theory*
    • Interview

    Instrument-Specific Requirements
    • Pianists: Must present at least three contrasting works
    • Vocalists: Must present at least three contrasting works including one work in English and one in a European language (Italian, French or German). At least one work must be an operatic or oratorio aria, with recitative included if possible. Whilst we train singers for the classical repertoire, we will accept a maximum of one piece of musical theatre should this offer a particular insight into their potential as performers.
    • Percussionists: Must present one work each on snare drum, mallets, and timpani.
    • Other instrumentalists (excluding pianists): Must present at least three contrasting works. At least one accompanied work is required. Suggested repertoire includes sonatas, concertos, études, and solo works.

    Accompaniment Requirements:
    • You are required to perform with an accompanist if the repertoire requires it

    Important notes on preparing for your in-person audition
    • All instrumentalists except percussionists and pianists are required to bring their principal study instrument for the audition. You are required to provide a set of music scores of the pieces for the audition panel.

    • You are not allowed to bring a page-turner, a teacher or a translator to the audition. The only people in the audition room will be you, the accompanist and the audition panel.

    • As our programmes are taught in English, you will be expected to communicate in English at the audition.

    • The audition panel reserves the right to hear only part of the programme overall.

    • The audition will be recorded for evaluation purposes and used solely for the selection process.

    • Typical questions asked during the interview may include:

      • Why do you want to study at NAFA?
      • What are your musical interests?
      • What do you think you need to do most to improve your performance/writing?

    In-person audition dates

    Singapore

    Audition Date
    7 November 2025
    9 January 2026
    2 – 6 March 2026
    8 – 9 May 2026

    China

    Audition Date
    15 – 16 November 2025 (Beijing)
    7 – 14 March 2026 (Beijing, Guangzhou, Shanghai)
    16 – 17 May 2026 (Beijing)

    Note:
    • You will be notified of the exact date and time via email one week before the audition, if you pass the pre-screening.
    • Audition dates are accurate at the time of publishing and will be subject to changes.
    • Applicants who wish to attend the audition in China will be notified of more information by Student Admissions Office closer to date.


    (B) Online audition
    Though in-person auditions are preferred, you may request to attend an online audition via Zoom if you reside overseas.

    For instrumentalists and vocalists: You will be required to record a new video of 3 contrasting works based on the Instrument-Specific Requirements stated in 2(A) above and submit the video recording within TWO (2) weeks of our notification of your shortlisting. You will be given a unique audition number to be printed out and placed in sight of the recording. More instructions will be provided to shortlisted applicants.

    The online audition will consist of the following:
    • Reviewing of composition portfolio (only for composition applicants)
    • Sight-reading
    • Music theory*
    • Interview

    Important notes on preparing for your online audition
    • You must be alone in a quiet room.

    • Instrumentalists are required to have their principal study instrument ready during the audition.

    • You are to join the Zoom meeting with a large screen device (e.g. Tablet/Laptop) in order to read the music score for the segment on sight-reading.

    • As our programmes are taught in English, you will be expected to communicate in English at the audition.

    *Music Theory Test
    During the music theory test (approximately 60 minutes), you will be tested on various areas at a level comparable to ABRSM Grade V.

    You will be exempted from the music theory test if you submit any of the following documentary evidence before the audition:

    • ABRSM Grade V Music Theory or its equivalent
    • Pass in GCE ‘O’ Level or GCE ‘A’ Level Music
    • Pass in SOTA Music Year 4 and above
    • Pass in Music Theory subject in a specialist music school

    Note: The music theory test is waived for NAFA applicants who have successfully completed NAFA’s Diploma in Music or Diploma in Music Teaching.
  1. Entry into first year (either one of the following):

    • Singapore-Cambridge A-Level (Minimum 2 A-Level / H2 subjects and a pass in General Paper). If General Paper is not passed, an English proficiency qualification (e.g. IELTS Band 6.0 or equivalent) will be required.
    • Local Polytechnic / Arts Institution Diploma
    • International Baccalaureate (IB) Diploma
      It is mandatory for all applicants to authorise the International Baccalaureate (IB) to release their IB transcripts to the 'Nanyang Academy of Fine Arts' (Institute Code 003693). Applicants can do so by informing their school’s IB coordinator. Please refer to the IB website for details.
    • ITE Work-Study Diploma (WSDip)
    • NUS High School Diploma
    • Equivalent of Year 12 qualification with good passes in a recognised national/international examination

  2. Direct entry into second or third year:

    • A relevant music diploma from NAFA, LASALLE or a recognised institution.
    • Diploma transcript must indicate passing grades in equivalent NAFA diploma modules
Applicants may be eligible for APL through the demonstration of prior certification, where they may receive exemption of up to 240 credits. Applicants must be first eligible to enter the programme before APL can be considered.
An English Language proficiency* of at least:

IELTS AcademicTOEFL - iBTPTE AcademicDuolingo English Test
6.080 or 4.050105

*Not applicable to applicants who have completed their NAFA diploma or diplomas/degrees from other institutions where English is the medium of instruction. Other qualifications equivalent to any of the above.

Applicants from countries where English is not the first language, or whose qualifications are obtained from institutions where English is not the medium of instruction, NAFA will consider the English Language proficiency attained through the above-mentioned English Language qualifications.

How to Apply

Take the leap! Begin the journey to becoming a world-class musician.

We have simplified our application process so you can focus on showcasing your strengths.

Here’s a quick overview of what you need to do.

  • Shortlist your bachelor’s degree programme(s) – Choose up to two programmes* towards your interests and abilities
  • (*applicable for selected programmes)

  • Check if you have the required application documents - Here is the checklist for your quick reference

Bachelor of Music (Honours) Emerging Artist Award

Start your Bachelor of Music (Honours) journey with an exclusive Emerging Artist Award of S$6,000.
Eligibility: Full fee-paying students entering Year 1 of the Bachelor of Music (Honours) programme in the August 2026 intake, subject to audition performance.

 

Apply online
Apply online here along with your application fees. Applications are open from October each year for the following year’s August intake.
Keep the Application Acknowledgement for your reference and submit the required documents
Send documents listed in the checklist to [email protected] for verification within five working days from the application date.
Make payment of the Application Fee (non-refundable) online
Make payment of the Application Fee (non-refundable) online at https://payment.nafa.edu.sg/Students.

Singapore Citizens & Singapore Permanent ResidentsInternational Students
Application feeS$75.00S$120.00

Application fee is inclusive of prevailing GST.
Upload pre-screening video
Upload your pre-screening video to the link stated in the application acknowledgment.
Receive an email and attend the final audition, if you are shortlisted
Following the video pre-screening, shortlisted applicants will be invited to a final audition. You will receive an email with the exact date and time one week before the audition.
Application outcome
Receive the outcome of your application via email within 4 – 6 weeks after your Portfolio Submission/Interview/Audition or Admission Test.