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Overview Modules Entry Requirements Fees How to Apply
Overview Students' Work Modules Entry Requirements Fees How to Apply
Duration: 3 Years
Mode: Full-time

Shape the Learning Pathways for Future Musicians

Conferred by the University of the Arts Singapore, the Bachelor of Education (Honours) in Instrumental & Vocal Teaching prepares the next generation of performer-educators to inspire through music. Integrating artistic development, pedagogical expertise, technology-enabled teaching and professional practice, the programme offers a distinctive curriculum that equips you with the skills and knowledge to become a confident performer, reflective educator and creative practitioner.

Through intensive one-to-one tuition, ensemble participation, authentic teaching experiences and collaborative learning, you will strengthen your musicianship while developing the practical expertise to teach across diverse educational settings. Educational enquiry and technology-enhanced learning further prepare you to respond to the evolving needs of music education.

Rooted in the belief that great teaching begins with strong musicianship, you will graduate with the skills, adaptability and professional judgement to lead, inspire and contribute meaningfully to the future of music learning across a wide range of educational and artistic settings.


Performance Excellence

Refine your musicianship through intensive one-to-one tuition, ensemble participation and regular performance opportunities.

Teaching Practicum and Mentorship

Develop specialised knowledge in music education and pedagogy through authentic teaching experiences and mentorship.

Integrated Professional Practice

Strengthen your artistic, educational and research capabilities through an integrated approach to performance, pedagogy and enquiry.

Global and Collaborative Perspectives

Broaden your professional outlook through interdisciplinary and collaborative learning, together with international and intercultural perspectives.






More Information
UAS Common Curriculum
The UAS Common Curriculum supplements the core curriculum by equipping you with a broader set of proficiencies, empowering you to adapt to evolving professional and industry demands. These non-credit bearing graduation requirements include:

  • IN-depth Module – 36 hours
  • Career Skills Module – 10 hours
  • Industry-Based Learning Module – 10 weeks (approximately 400 hours)
Graduation Requirements

In order to graduate, students must successfully complete 360 credits across the three-year programme, demonstrating achievement in artistic practice, pedagogy, professional experience, and academic study. This includes the completion of all core and elective modules, the Teaching Practicum, Graduation Project, and International Placement (or an approved alternative pathway where applicable), in accordance with the University’s academic regulations.

Mode of Instruction

Lessons may be delivered face-to-face on campus or facilitated online. Lecturers employ a variety of teaching strategies and approaches according to the needs of each module. Students are expected to attend all scheduled learning activities, which may include one-to-one tuition, performance classes, masterclasses, practical workshops, lectures, seminars, tutorials, observation visits, fieldwork, collaborative projects, teaching practicum, international placement activities, and web-based learning such as video conferencing, online lectures and seminars, webinars, collaborative digital projects, and live-streamed performances.

Assessment Methods

Each module is assessed through a range of methods appropriate to its learning outcomes. These may include practical examinations, written assignments, written examinations, teaching demonstrations, lesson planning and curriculum design projects, teaching portfolios, lecture-recitals, viva voce examinations, performances, presentations, reflective journals, case studies, fieldwork reports, research projects, collaborative projects, portfolio submissions, peer and self-assessment, or any combination of these methods.

Career Pathways
  • Instrumental or Vocal Teacher
  • Private Studio Teacher
  • School Music Educator
  • Performer-Educator
  • Ensemble Director or Conductor
  • Community Music Practitioner
  • Arts Educator and Facilitator
  • Music Programme Coordinator
  • Creative Learning Specialist
  • Arts Entrepreneur
  • Cultural and Community Engagement Specialist

 

Modules

CodeTitleCredits
NBPM1101

Principal Study and Pedagogy 1A

This module establishes the artistic, technical, and pedagogical foundations of the instrumental and vocal music pedagogy through individual tuition, guided practice, performance activities, and ensemble participation. Students develop technical proficiency, musical understanding, and reflective learning habits while being introduced to key principles of instrumental and vocal pedagogy through teaching seminars and performance classes. By connecting artistic development with pedagogical enquiry, the module supports the growth of confident and adaptable musician-educators.
25
NBIT1102

Conceptualising Music Education: Ideas and Practice 1A

This module introduces key ideas, theories, and contemporary issues that shape instrumental and vocal music education. Through engagement with music education literature, lesson observations, and critical discussion, students explore how philosophical, psychological, and sociocultural perspectives influence teaching and learning. The module develops reflective practitioner-educators who are able to connect educational theory with emerging teaching practice.
10
NBIT1103

Musicianship 1A: Theory and Aural

This module develops foundational musicianship skills through the integrated study of music theory, aural perception, and score-based analysis. Students explore tonal harmony, harmonic structures, and stylistic practices while strengthening their ability to understand, interpret, and communicate musical ideas. By connecting analytical understanding with critical listening and practical application, the module provides a strong foundation for performance, pedagogy, and further musicianship studies.
15
NBIT1104

Music in Context 1A: Traditions and Transformations

This module explores the development of European art music from the Renaissance to the late Romantic period, examining the cultural, social, and intellectual forces that shaped their musical styles and traditions. Through the study of key composers, genres, and historical contexts, students investigate the relationships between repertoire, performance practice, and pedagogical traditions. The module encourages informed and contextually aware approaches to performance and teaching.
10

CodeTitleCredits
NBIT1201

Principal Study and Pedagogy 1B

Building on the foundations established in Principal Study and Pedagogy 1A, this module further develops students’ artistic and pedagogical capabilities through the study and performance of increasingly substantial repertoire. Students engage critically with repertoire from both performance and teaching perspectives while refining technical control, musical expression, and interpretative awareness. Through performance classes, teaching seminars, and reflective activities, the module strengthens analytical, communication, and evaluative skills.
25
NBIT1202

Conceptualising Music Education: Ideas and Practice 1B

Building upon the theoretical foundations established in 1A, this module explores how educational ideas and pedagogical approaches may be applied within one-to-one teaching contexts. Students examine areas such as communication, motivation, assessment, feedback, and lesson planning while considering their impact on learner development. Through practical teaching experiences and reflective enquiry, the module supports the development of informed and learner-centred teaching practices.
10
NBIT1203

Musicianship 1B: Stylistic Composition and Improvisation

Building upon the analytical and aural foundations established in Musicianship 1A, this module explores the creative application of musical materials through stylistic composition and improvisation. Students engage with a range of compositional and improvisational practices, developing their ability to create, adapt, and communicate musical ideas within historically and stylistically informed contexts. Through the integration of analysis, listening, composition, and collaborative music-making, students deepen their understanding of harmonic language, musical structure, and stylistic conventions while cultivating creative fluency and musical responsiveness. The module supports the development of versatile musicians capable of applying theoretical knowledge in both artistic and pedagogical settings.
15
NBIT1204

Music in Context 1B: New Sounds and Futures

This module explores the diverse musical, cultural, and pedagogical developments that have shaped music from the twentieth century to the present day. Through the study of contemporary art music, popular and media repertoires, technological innovations, and intercultural perspectives, students examine how musical practices continue to evolve in changing social and cultural contexts. The module fosters adaptable and forward-looking musician-educators who are able to engage with a broad range of repertoires and ideas.
10

CodeTitleCredits
NBIT2101

Principal Study and Pedagogy 2A

This module develops students’ artistic and pedagogical capabilities through the study and performance of increasingly substantial repertoire alongside a deeper exploration of instrumental and vocal teaching practices. Through individual tuition, teaching seminars, performance classes, and guided reflection, students examine repertoire from both performer and educator perspectives while developing greater confidence in pedagogical decision-making. The module strengthens students’ ability to connect artistic development with effective teaching and learning.
30
NBIT2102

Conceptualising Music Education: Ideas and Practice 2A

This module expands students’ understanding of music education beyond the individual teaching studio to encompass schools, ensembles, and community-based learning environments. Through engagement with music education literature, field observations, and critical discussion, students explore issues relating to inclusion, community engagement, policy, and practice in Singapore and the region. The module fosters a broader awareness of the music educator’s role within contemporary society and diverse learning contexts.
10
NBIT2103

Musicianship 2A: Analytical Techniques

This module develops students’ analytical and critical listening skills through the study of musical structure, style, and compositional practice. Through the close examination of scores and recordings, students explore analytical approaches that deepen their understanding of how musical ideas are organised, developed, and communicated. The module supports informed approaches to performance, teaching, and creative practice through analytical insight.
10

CodeTitleCredits
NBIT2201

Principal Study and Pedagogy 2B

Building upon the repertoire sequencing and pedagogical planning explored in Principal Study and Pedagogy 2A, this module further develops students’ artistic and pedagogical understanding through increasingly sophisticated repertoire and teaching materials. Students critically evaluate performance repertoire, technical studies, and learning resources while refining their technical fluency, interpretative insight, and pedagogical judgement. The module prepares students for the professional and practice-based experiences of Year 3.
30
NBIT2202

Conceptualising Music Education: Ideas and Practice 2B

Building upon the broader educational perspectives explored in Conceptualising Music Education: Ideas and Practice 2A, this module examines participatory and socially-engaged approaches to music education. Through workshops, practical projects, and critical reflection, students develop skills in facilitation, improvisation, collaborative music-making, and workshop leadership. The module encourages creative, inclusive, and community-centred approaches to music learning and engagement.
10
NBIT2203

Musicianship 2B: Interdisciplinary Practices

Building upon the analytical and creative skills developed throughout the musicianship sequence, this module explores the application of musicianship within interdisciplinary and collaborative artistic contexts. Through improvisation, composition, performance, and critical reflection, students engage with artistic practices beyond the traditional music discipline while working alongside collaborators from other fields. The module develops adaptable and imaginative practitioners who are able to contribute confidently to collaborative creative processes.
10

CodeTitleCredits
NBIT3101

Graduation Project

This capstone module provides students with the opportunity to synthesise their artistic, pedagogical, and scholarly development through the design and delivery of an original lecture-recital. Drawing upon knowledge and skills developed throughout the programme, students investigate a pedagogical or performance-related topic and communicate their insights through an integrated presentation of research, teaching, and performance. The module culminates in a substantial lecture-recital that demonstrates artistic maturity, pedagogical understanding, and critical enquiry.
60
NBIT3102

Teaching Practicum

This module provides students with an authentic teaching experience through sustained engagement in instrumental and vocal instruction within a supervised professional setting. Through mentored teaching practice, curriculum planning, lesson design, self-observation, and reflective enquiry, students develop the ability to make informed pedagogical decisions and evaluate their effectiveness in supporting learner development. The module supports the growth of reflective, adaptable, and self-directed musician-educators committed to ongoing professional development.
30
NBIT3203

International Placement

This module provides students with the opportunity to engage with music education practices within an international and intercultural setting. Through study, observation, and participation in activities at a partner institution, students gain insight into diverse approaches to teaching, learning, and artistic development across a range of educational settings. The module encourages students to reflect critically on their own practice while developing broader perspectives on music education in a global context.
30

CodeTitleCredits
NBIT3001

Enterprise and Innovation in the Community

This module explores how musician-educators can create meaningful impact through entrepreneurship, leadership, and community engagement. Students develop the knowledge and skills required to identify opportunities, design innovative initiatives, and respond creatively to the needs of diverse communities and professional environments. Through industry case studies, practical projects, and engagement with arts professionals, the module cultivates enterprising and socially aware practitioners who are able to transform ideas into sustainable artistic and educational ventures.
20
NBIT3002

Creative Improvisation

This module explores improvisation as a creative and collaborative practice, encouraging students to develop confidence, curiosity, and spontaneity in music-making. Through practical workshops and ensemble-based activities, students experiment with a range of improvisational approaches inspired by sound, movement, text, visual stimuli, and musical ideas. By fostering responsive listening, creative risk-taking, and artistic interaction, the module develops adaptable musicians who are able to engage with music-making in imaginative, flexible, and personally meaningful ways.
10
NBIT3003

Conducting

This module introduces the art and practice of conducting, developing the musical, technical, and leadership skills required to guide and inspire an ensemble. Through the study of score preparation, rehearsal techniques, conducting gesture, and ensemble communication, students learn how to shape musical interpretation and lead performers with clarity and confidence. Combining practical experience with critical musical understanding, the module fosters artistic leadership, collaborative awareness, and a deeper appreciation of the conductor’s role in bringing music to life.
20
NBIT3004

Collaborative Performance

Collaborative Performance introduces you to the dynamic possibilities of interdisciplinary music-making. Through partnerships with other art forms within the Faculty of Performing Arts, you will explore how to balance creative identities, develop mutual artistic vision, and rehearse effectively. This module cultivates your ability to communicate, organise, and present joint performances—laying the groundwork for future professional collaborations.
10
NBIT3005

Research Methods

This module introduces students to the principles and practices of research in the arts, equipping them with the tools to investigate questions arising from their own artistic interests and professional practice. Through the exploration of research methodologies, critical enquiry, and ethical considerations, students learn to gather, evaluate, and communicate evidence effectively. The module develops reflective and independent practitioners who are able to use research to deepen artistic understanding, inform creative decision-making, and support future scholarly or professional projects.
10
NBIT3006

Ethnomusicology

This module explores the diverse ways in which music functions, evolves, and acquires meaning across cultures and communities around the world. Through the study of ethnomusicological theories, fieldwork methods, and contemporary cultural issues, students develop a deeper understanding of the relationships between music, identity, society, and tradition. By engaging directly with musical communities and cultural practices, students cultivate critical awareness, cross-cultural understanding, and the ability to connect global perspectives with their own musical practice.
20
NBIT3007

Artiste in the Digital Age

This module explores how emerging technologies are transforming the ways musicians create, collaborate, perform, and engage with audiences. Through the study of digital tools, online platforms, artificial intelligence, and interactive media, students develop practical skills and critical awareness of technology’s role within contemporary artistic practice. By experimenting with new approaches to music-making and content creation, students learn to adapt to an evolving creative landscape while developing innovative strategies to support their artistic identity and professional development.
10
NBIT3008

Digital Production for Professional Arrangement

This module introduces students to the creative and technical processes involved in contemporary music production, arrangement, and digital content creation. Through hands-on work with industry-standard software and production tools, students develop skills in sequencing, recording, arranging, and producing original musical works across a range of styles and genres. By combining artistic creativity with digital production techniques, students learn to realise musical ideas, collaborate effectively, and create professional-quality content for performance, recording, and creative projects.
10
NBIT3009

Creating Music and Sound Design for Performing Arts

This module explores the creation of music and sound for live performance, equipping students with the creative, technical, and collaborative skills required to work across theatre, dance, and other performing arts contexts. Through composition projects, sound design, and engagement with directors, choreographers, and performers, students learn how music and sound can shape narrative, atmosphere, and audience experience. The module develops versatile composer-creators who are able to translate artistic ideas into compelling sonic experiences for the stage.
20
NBIT3010

Performance Psychology: Musical Excellence

This module explores the psychological factors that influence musical learning, preparation, and performance. Through the study of performance psychology, students develop practical strategies to enhance focus, confidence, motivation, resilience, and self-awareness in both practice and performance settings. By examining research-informed approaches to performance preparation and wellbeing, students gain a deeper understanding of how mental skills contribute to artistic growth and sustained musical excellence. The module encourages students to reflect critically on their own learning and performance experiences, equipping them with tools to navigate the challenges and opportunities of a life in music.
10
NBIT3011

Composing Music for Educational Contexts

This module explores how composition and arrangement can be used as powerful tools for teaching and learning. Designed for future musician-educators, the module develops the ability to create original musical materials, adapt existing repertoire, and design resources that support learners at different stages of development. Through practical composition, arrangement, and the use of digital notation technologies, students learn to craft engaging, accessible, and purposeful musical experiences for a variety of educational settings. By combining creativity with pedagogical intent, the module equips students with valuable skills for resource development, curriculum design, and learner-centred music teaching.
10
NBIT3012

Schenkerian Analysis

This module explores advanced approaches to musical analysis through the study of underlying structures that shape tonal music. Drawing on the analytical methods developed by Heinrich Schenker, students examine how melody, harmony, counterpoint, and form interact to create coherence and expressive meaning. Through score study and critical enquiry, students develop deeper insights into musical architecture, strengthening their ability to engage with repertoire as performers, composers, and informed musical thinkers.
20
NBIT3013

Orchestration and Transcription

This module explores the art of writing and adapting music for different instruments and ensembles. Through the study of orchestral colour, texture, timbre, and instrumental techniques, students develop an understanding of how composers and arrangers bring musical ideas to life through sound. By engaging with a range of orchestral and chamber repertoire, students learn how to combine instruments effectively, create distinctive sonic landscapes, and prepare scores and parts for performance. The module develops creative, practical, and stylistic skills that support composition, arranging, and collaborative music-making.
20
NBIT3014

Kodaly Method

This module introduces students to one of the most influential approaches to music education, exploring how musical understanding can be developed through singing, listening, movement, and active participation. Drawing on the educational philosophy of Zoltán Kodály, students examine learner-centred approaches to musicianship development, curriculum design, and classroom music-making. Through practical application, lesson planning, and reflective teaching experiences, the module equips students with a versatile set of pedagogical tools that can be adapted to diverse educational settings and learners.
10
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entry requirements

Find out about the entry requirements that apply to you.

The list of principal study instruments offered by School of Music is as follows:

Keyboard Studies Piano
Strings StudiesViolin, Viola, Cello, Double Bass
Winds StudiesFlute, Oboe, Clarinet, Bassoon
Horn, Trumpet, Euphonium, Tuba

*Saxophone (applicants can play either two contrasting works on Alto saxophone or one on Alto and one on Tenor/Baritone)

*Trombone (applicants must perform with Tenor Trombone)
Percussion StudiesPercussion
(applicants must perform one work each on snare drum and mallets)
Chinese Instrumental StudiesGaohu, Erhu,
Liuqin, Pipa, Ruan
Guqin, Sanxian
Yangqin
Guzheng
Dizi, Sheng, Suona, Guanzi
Vocal StudiesVoice (Classical)

The audition process consists of TWO (2) parts:

  1. Pre-Screening
  2. Final Audition

Please see below for instructions to both parts of the audition process.

  1. Pre-Screening
    Applicants will be pre-screened through video submission to be shortlisted for a final audition. Only shortlisted applicants will be invited to a final audition.

    You are to submit a video fulfilling the following requirements for Pre-Screening:

    • Duration: total performance duration of at least 5 minutes
    • Pieces: 2 contrasting works
    • Pieces must be written by different composers
    • Pieces must demonstrate a broad range of styles, historical periods, and character, reflecting both maturity and technical command.

    Note:

    • Works from popular music genres (e.g. pop songs or contemporary commercial music) will not be accepted.
    • You are required to perform with an accompanist if the repertoire requires it.
    • Only acoustic instruments are permitted. Electric instruments are not allowed.

    Guidelines for video recording:
    • Performance of the contrasting pieces must be recorded in a single take without edits.
    • The camera must be stationary for the entire performance.
    • The video should show the performer in full body if possible.
    • The video is to be recorded no more than three months prior to the submission date.
    • Concert and competition recordings are not allowed.
    • You are required to come to the front of the camera (where your face can be seen clearly) and state your name and the titles of the pieces before the performance.

    Personal Statement Submission
    Applicants are also required to submit a personal statement (250 – 300 words) on the following questions:

    • Why are you applying for the BEd programme?
    • What skills do you possess that make you suitable for the rigorous demands of the programme?

    In addition, you are required to submit the following documents to the Student Admissions Office at least ONE (1) day before the scheduled audition:
    • ABRSM/Trinity Practical and Theory Certificates and Transcripts
    • Form 5B: Background and References

  2. Final Audition
    Following the pre-screening, shortlisted applicants will be invited to:
    (A) an in-person audition
    OR
    (B) an online audition (for applicants unable to attend the in-person audition in Singapore and other locations)

    (A) In-person audition in Singapore
    If you are residing in Singapore, you are required to attend an in-person audition if you pass the pre-screening. You will be notified of the exact date and time via email one week before the audition.

    The in-person audition will consist of the following:

    • Performance of 2 contrasting works (see below for Instrument-Specific Requirements)
    • Sight-reading
    • Interview

    Instrument-Specific Requirements
    • Pianists: Must present at least two contrasting works
    • Vocalists: Must present at least one work in English and another in a European language (Italian, French or German). At least one work must be an operatic or oratorio aria, with recitative included if possible. Whilst we train singers for the classical repertoire, we will accept a maximum of one piece of musical theatre should this offer a particular insight into their potential as performers.
    • Percussionists: At least one work for mallet and one work for snare drum
    • Other instrumentalists (excluding pianists): Must present at least two contrasting works. At least one accompanied work is required. Suggested repertoire includes sonatas, concertos, études, and solo works.

    Accompaniment Requirements:
    • You are required to perform with an accompanist if the repertoire requires it

    Important notes on preparing for your in-person audition
    • All instrumentalists except percussionists and pianists are required to bring their principal study instrument for the audition. You are required to provide a set of music scores of the pieces for the audition panel.

    • You are not allowed to bring a page-turner, a teacher or a translator to the audition. The only people in the audition room will be you, the accompanist and the audition panel.

    • As our programmes are taught in English, you will be expected to communicate in English at the audition.

    • The audition panel reserves the right to hear only part of the programme overall.

    • The audition will be recorded for evaluation purposes and used solely for the selection process.

    • Typical questions asked during the interview may include:

      • Why do you want to study at NAFA?
      • What are your musical interests?
      • What do you think you need to do most to improve your performance?
      • What is your teaching philosophy?

    In-person audition dates

    Singapore

    Audition Date
    7 November 2025
    9 January 2026
    2 – 6 March 2026
    8 – 9 May 2026

    China

    Audition Date
    15 – 16 November 2025 (Beijing)
    7 – 14 March 2026 (Beijing, Guangzhou, Shanghai)
    16 – 17 May 2026 (Beijing)

    Note:
    • You will be notified of the exact date and time via email one week before the audition, if you pass the pre-screening.
    • Audition dates are accurate at the time of publishing and will be subject to changes.
    • Applicants who wish to attend the audition in China will be notified of more information by Student Admissions Office closer to date.


    (B) Online audition
    Though in-person auditions are preferred, you may request to attend an online audition via Zoom if you reside overseas.

    You will be required to record a new video of 2 contrasting works based on the Instrument-Specific Requirements stated in 2(A) above and submit the video recording within TWO (2) weeks of our notification of your shortlisting. You will be given a unique audition number to be printed out and placed in sight of the recording. More instructions will be provided to shortlisted applicants.

    The online audition will consist of the following:
    • Sight-reading
    • Interview

    Important notes on preparing for your online audition
    • You must be alone in a quiet room.

    • Instrumentalists are required to have their principal study instrument ready during the audition.

    • You are to join the Zoom meeting with a large screen device (e.g. Tablet/Laptop) in order to read the music score for the segment on sight-reading.

    • As our programmes are taught in English, you will be expected to communicate in English at the audition.
The minimum entry requirement for this programme is either one of the following qualifications:

  • Singapore-Cambridge GCE A-Level: Minimum 2 A-Level/ H2 subjects and a pass in General Paper. If General Paper is not passed, an English proficiency qualification (e.g. IELTS Band 5.5 or equivalent) will be required.
  • Local Polytechnic Diploma
  • International Baccalaureate (IB) Diploma
  • It is mandatory for all applicants to authorise the International Baccalaureate (IB) to release their IB transcripts to the 'Nanyang Academy of Fine Arts' (Institute Code 003693). Applicants can do so by informing their school’s IB coordinator. Please refer to the IB website for details.
  • ITE Work-Study Diploma (WSDip)
  • NUS High School Diploma
  • Equivalent of Year 12 qualification

Applicants with a relevant diploma from NAFA, LASALLE or a recognised institution may be considered for direct entry into the second year of the Bachelor programme subject to availability of places.

Conditional Offers for Degree Admission
You may use the latest results available to apply for the programme if you have not received your final examination results. You will be given conditional offers and are still required to submit the following results, as applicable:

GCE A-Level results with minimum 2 A-Level/ H2 subjects and a pass in General Paper. If General Paper is not passed, an English proficiency qualification (e.g. IELTS Band 5.5 or equivalent) will be required.
Polytechnic Diploma certificate and transcript
IB Diploma certificate and transcript
Final result slip/Proof of completion of Year 12

If you fail to provide documentary evidence of having met the admission requirements, your conditional offer will be withdrawn.
You may be eligible for Accreditation for Prior Learning (APL), through the demonstration of prior certification, exempting you for 120 credits or one level of study. APL does not apply to modules. You must be first eligible to enter the programme before APL can be considered.
Entry to Year 1 (UAS):
An English Language proficiency* of at least*:
IELTS AcademicTOEFL - iBTPTE AcademicDuolingo English Test
6.080 or 4.050105

*Not applicable to applicants who have completed their NAFA diploma or diplomas/degrees from other institutions where English is the medium of instruction.

Applicants from countries where English is not the first language, or whose qualifications are obtained from institutions where English is not the medium of instruction, NAFA will consider the English Language proficiency attained through the above-mentioned English Language qualifications.


How to Apply

Take the leap! You can shape the next generation of musicians.

We have simplified our application process so you can focus on showcasing your strengths.

Here’s a quick overview of what you need to do.

  • Shortlist your bachelor’s degree programme(s) – Choose up to two programmes* towards your interests and abilities
  • (*applicable for selected programmes)

  • Check if you have the required application documents - Here is the checklist for your quick reference

 

Apply online
Apply online here along with your application fees. Applications are open from October each year for the following year’s August intake.
Keep the Application Acknowledgement for your reference and submit the required documents
Send documents listed in the checklist to [email protected] for verification within five working days from the application date.
Make payment of the Application Fee (non-refundable) online
Make payment of the Application Fee (non-refundable) online at https://payment.nafa.edu.sg/Students.

Singapore Citizens & Singapore Permanent ResidentsInternational Students
Application feeS$75.00S$120.00

Application fee is inclusive of prevailing GST.

Upload pre-screening video and personal statement
Upload your pre-screening video to the link stated in the application acknowledgment and upload your personal statement here.
Receive an email and attend the final audition, if you are shortlisted
Following the video pre-screening, shortlisted applicants will be invited to a final audition. You will receive an email with the exact date and time one week before the audition.
Application outcome
Receive the outcome of your application via email within 4 – 6 weeks after your Portfolio Submission/Interview/Audition or Admission Test.