Page 33 - Year in Review 2018/2019
P. 33

THERUKKOOTHU — TAMIL THEATRE WORKSHOP WITH
                                BHASKAR’S ARTS ACADEMY



                                                                             The Institute of Southeast Asian Arts
                                                                             (ISEAA) invited Bhaskar’s Arts Academy
                                                                             (BAA) to present a collaborative workshop
                                                                             on 10 October 2018. It focused on the
                                                                             quintessential art of Therukkoothu (Tamil
                                                                             street theatre), a popular Dravidian folk art
                                                                             form that originated in the Tamil Nadu state
                                                                             of India and Tamil-speaking regions of
                                                                             Sri Lanka. Over the centuries, the colourful
                                                                             art form has found its way through Indian
                                                                             diaspora in several Southeast Asian
                                                                             countries and continued to flourish in
                                                                             Malaysia and Singapore.

                                                                             The programme began with a 30-minute
                                                                             performance by the artistes of BAA
                                                                             who enacted an episode in the story of
                                                                             Draupadi Vastraharan (The Disrobing of
                                                                             Draupadi) from the legendary Mahabharata.
                                                                             To illustrate the profound influences of
                                                                             traditional Indian theatre in Southeast
                                                                             Asia and Singapore, the performance
                                was followed by a lecture on the historical development of Therukkoothu. It examined the continued
                                relevance of BAA’s work since the late KP Bhaskar first stepped foot on the shores of Singapore in the
                                early 1950s.

                                Audience members were invited to enact the roles in a typical Therukkoothu performance, focusing on
                                critical elements such as the Ganapathi Vandhanam (opening sequence), the presence and role of the
                                Kattiyakaran (narrator), and the concept of Pinpattu (chorus singing). Over 70 students from the NAFA
                                Theatre Programme attended the event, which concluded with a Q&A discussion with the artistes
                                including Santha Bhaskar, Cultural Medallion recipient (1990) for dance in Singapore.




           FLAGSHIP GENIUS 80 FEATURING ANGKOR WAT III


           Every year since 2016, the ISEAA has partnered with the academic schools at NAFA for a collaborative
           project that uses Angkor Wat as a creative stimulus. In the final instalment of this three-year commitment,
           over 160 students from various disciplines attended and immersed themselves in a series of lectures and
           Cambodian dance workshops. They were involved in researching the history, symbolism and features of
           this UNESCO World Heritage Site. The students assimilated ideas through sight observations and newly
           acquired knowledge in Khmer culture and mythologies located in Angkor Wat. The interesting works
           embodied a collection of history and insights through their unique narratives and contemporary design
           concepts. Each piece portrayed the learning
           journeys of the students as they grasped the
           symbolism of Angkor Wat and what it offers,
           beyond its iconic magnificence and heritage.

           This double bill also featured NAFA’s
           annual instalment of Flagship Genius,
           which incorporated a uniquely monumental
           installation of 80 prints from the alumni and
           teaching faculty at NAFA. This exceptional
           print installation was commissioned at the
           end of 2018 for the book launch and finale
           celebrations of NAFA’s 80  anniversary.
                               th









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